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Genre Book : Motion pictures
Author Book :
Publisher :
Release Book :
Download Book : 721 Pages
ISBN-10 : 0393013707


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Sophisticated in its analytical content, current and comprehensive in its coverage of all aspects of film and filmmaking, and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is widely acknowledged to be the definitive text in the field.

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Genre Book : Performing Arts
Author Book : David A. Cook
Publisher : W. W. Norton
Release Book : 2004
Download Book : 1120 Pages
ISBN-10 : 0393978680


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Product Details :

Genre Book : Motion pictures
Author Book : David A. Cook
Publisher : New York : Norton
Release Book : 1981
Download Book : 721 Pages
ISBN-10 : 0393090221


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Sophisticated in its analytical content, current in its coverage, and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is one of the most respected and widely read texts in film studies. This Fifth Edition features a new chapter on twenty-first century film, and includes refreshed coverage of contemporary digital production, distribution, and consumption of film. Now 20% shorter, with new four-color design and an updated art program, A History of Narrative Film is also the only film history text available as an ebook.

Product Details :

Genre Book : Performing Arts
Author Book : David A. Cook
Publisher : W. W. Norton & Company
Release Book : 2016-02-01
Download Book : 845 Pages
ISBN-10 : 9780393920093


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Product Details :

Genre Book : Performing Arts
Author Book : David A. Cook
Publisher : Ingram
Release Book : 2008-12-01
Download Book : 819 Pages
ISBN-10 : 0393179443


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"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.

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Genre Book : Performing Arts
Author Book : Marilyn Fabe
Publisher : Univ of California Press
Release Book : 2014-10-14
Download Book : 312 Pages
ISBN-10 : 9780520279971


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Cinema, which first arrived in Japan in 1896 with the Kinetoscope prototype, came at the very time that Japan was transforming its economic base and society into that of a major international power. The first cinema, the Asakusa Denkikan, was opened in Tokyo in 1903 and within thirteen years three hundred cinemas had sprung up throughout the country. In A New History of Japanese Cinema: A Century of Narrative Film, Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s—as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come. Includes an 8-page color plate section and an 8-page black and white plate section.

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Genre Book : Performing Arts
Author Book : Isolde Standish
Publisher : A&C Black
Release Book : 2005-01-01
Download Book : 414 Pages
ISBN-10 : 0826417094


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Genre Book : Performing Arts
Author Book : Tom Gunning
Publisher : University of Illinois Press
Release Book : 1994
Download Book : 316 Pages
ISBN-10 : 025206366X


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This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

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Genre Book : Performing Arts
Author Book : Alison L. McKee
Publisher : Routledge
Release Book : 2014-04-03
Download Book : 208 Pages
ISBN-10 : 9781135053703


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Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.

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Genre Book : Social Science
Author Book : Ed S. Tan
Publisher : Routledge
Release Book : 2013-10-16
Download Book : 312 Pages
ISBN-10 : 9781136694974